Kolumba
Kolumbastraße 4
D-50667 Köln
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15 September 2013 – 25 August 2014
show cover hide. Shrine
An exhibition on the aesthetics of the invisible

This year’s exhibition is devoted to a theme that is considered as being among the essential characteristics of western art and cultural history, holding its place in the three great, revelation-based religions – Judaism, Christianity, Islam – and also in everyday life. It is about a paradox, since apparently it is only by covering something up that our gaze is directed to what is hidden, making it visible. Via mundane detours, this exhibition shifts our thoughts on an aesthetics of the invisible to the essence of those precious shrines, which flourished as an expression of the Rhineland's veneration for relics. Central to the exhibition is the church treasure from St. Servatius in Siegburg together with the Shrine of St. Anno, one of the most important works of medieval goldsmith artistry. Moreover, this piece marks two anniversaries: for one, there is the 1700 years of the existence of the Cologne Archdiocese, whose first Bishop, Maternus, was mentioned in a document of a synod in Rome in 313; in addition, it commemorates the transport of the remains of the Three Magi from Milan to Cologne as war spoils in 1164 – 850 years ago – by Archbishop Rainald von Dassel. Departing from a principle of dialogue, objects from the Schriefers’ Collection of works and forms have been allotted just as much consideration as works of Classic Modernism and contemporary art. Works by American painter Max Cole constitute an exhibition highlight.

Objects from the 7th to the 21st Century (Painting, Sculpture, Installation, Photography, Video, Textile, Prints, Objects), a.o. by Hermann Abrell, Gerhard Altenbourg, Kurt Benning, Thomas Böing, Gerd Bonfert, Michael Buthe, Max Cole, Rudolf de Crignis, Felix Droese, Gerard Gasiorowski, Raimund Girke, Alexej von Jawlensky, Hans Josephsohn, Christa Näher, Thomas Rentmeister, Paul Thek, Michael Toenges, Frederic Thursz, Gert H. Wollheim
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02/24 Peace upon you, Jerusalem
1-8/24 Required Reading
11/23 Sound Workshop
11/23 For All Souls 5
10/23 A different view of art
08/23 A Ukrainian Kolumba
06/23 Un Film Dramatique
01/23 The Reading Room
11/12 Sound Workshop
11/22 For All Souls 4
07/22 Lecture by Linda Wiesner
05/22 Vortrag Rolf Lauer
08/21 New Ocean Sea Cycle
06/21 BODY TALE
02/21 Tonspur_Achim Lengerer
11/18 Circumstance
12/17 Renate König Donation

08/17 Ten Years Kolumba
04/17 Artist Talk
01/17 Series of Concerts
11/16 10th Soundworkshop
06/16 Eric Hattan & Julian Sartorius
06/15 FORSETI feat. subsTANZ
06/15 Cologne Opera
03/15 Animated Cartoon Workshop
11/14 Soundtrack (Achim Lengerer)
11/14 Edith Stein Conference
11/14 Sound Workshop
10/14 Philosophical Discussion
10/14 Albert-Talk
10/14 Seminar on Philosophy
06/14 Visiting Schools III
02/14 Barlach-Haus
11/13 Dance performance
11/13 Sound Workshop
10/13 E-MEX-Ensemble
10/13 4th Albert-Discussion
05/13 Performances
03/13 Horatiu Radulescu
11/12 Sound Workshop
10/12 E-MEX-Ensemble
09/12 Girls' Choir
08/12 Cage: Empty Words
08/12 Hosting Schools II
08/12 Many thanks to all of the...
07/12 Table Talks
06/12 Table Concert
06/12 The chamber of meditation
05/12 episteme
05/12 new talents
04/12 Cage: A Collection of Rocks
03/12 Cage: Number Pieces
03/12 Hans Otte
11/11 Sound Workshop
09/11 Imploding Desk
07/11 Finissage
07/11 Schulen zu Gast I
11/10 Sound Workshop
11/10 Joseph Marioni
06/10 Steffen Krebber
05/10 Holy-Spirit Retable
02/10 Bernhard Leitner
02/10 Ash Wednesday
11/09 Sound Workshop
11/08 Workshop
10/08 Donaueschingen Festival
06/08 Kolumba is singing!
04/07 Art Cologne
08/05 1st view!
12/04 The Pietà from St. Kolumba
11/03 Schauspielhaus Köln
 
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KOLUMBA :: Events :: 2013 show cover hide

15 September 2013 – 25 August 2014
show cover hide. Shrine
An exhibition on the aesthetics of the invisible

This year’s exhibition is devoted to a theme that is considered as being among the essential characteristics of western art and cultural history, holding its place in the three great, revelation-based religions – Judaism, Christianity, Islam – and also in everyday life. It is about a paradox, since apparently it is only by covering something up that our gaze is directed to what is hidden, making it visible. Via mundane detours, this exhibition shifts our thoughts on an aesthetics of the invisible to the essence of those precious shrines, which flourished as an expression of the Rhineland's veneration for relics. Central to the exhibition is the church treasure from St. Servatius in Siegburg together with the Shrine of St. Anno, one of the most important works of medieval goldsmith artistry. Moreover, this piece marks two anniversaries: for one, there is the 1700 years of the existence of the Cologne Archdiocese, whose first Bishop, Maternus, was mentioned in a document of a synod in Rome in 313; in addition, it commemorates the transport of the remains of the Three Magi from Milan to Cologne as war spoils in 1164 – 850 years ago – by Archbishop Rainald von Dassel. Departing from a principle of dialogue, objects from the Schriefers’ Collection of works and forms have been allotted just as much consideration as works of Classic Modernism and contemporary art. Works by American painter Max Cole constitute an exhibition highlight.

Objects from the 7th to the 21st Century (Painting, Sculpture, Installation, Photography, Video, Textile, Prints, Objects), a.o. by Hermann Abrell, Gerhard Altenbourg, Kurt Benning, Thomas Böing, Gerd Bonfert, Michael Buthe, Max Cole, Rudolf de Crignis, Felix Droese, Gerard Gasiorowski, Raimund Girke, Alexej von Jawlensky, Hans Josephsohn, Christa Näher, Thomas Rentmeister, Paul Thek, Michael Toenges, Frederic Thursz, Gert H. Wollheim